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Do you feel like you spend hours practicing, but your art is stuck—exactly where it was a year ago? Do you sense that invisible wall that won’t let you move forward, and the frustration that your hands can’t create what your mind imagines? If the typical advice to “practice more” doesn’t work for you, it’s because the problem isn’t your technique or your materials. Practicing without Direction: The Creative Hamster Syndrome The first mistake, and perhaps the most common, is what I call the “Creative Hamster Syndrome.” It’s believing that “practicing a lot” is the same as “improving a lot.” And there you are, hours at your desk, drawing, painting... running on a wheel that takes you nowhere. Sound familiar? You open your sketchbook and draw whatever comes to mind: an eye, a character from your favorite show, a hand… but without a real purpose. The problem is that practice without intention is just a pastime, not training. Many artists practice every day without a plan, and that inevitab...

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Todo para el artista visual  

Common mistakes, Häufige Fehler , Almindelige fejl ´, 흔한 실수 , Erros comuns よくある間違い, Errores comunes

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  Errores comunes  de principiantes de una carrera de arte . Pensar que la obra de otro es sencilla, que el artista que  la hizo no se tomo tiempo. Copiar. Seguir las modas. Frustrarse ante no ser seleccionado en una convocatoria en la que se han presentado Investigar poco No leer textos de arte  Creer que van a producir la gran obra Ahorrar en investigacion utilizando pocos materiales. Quedarse solo con las ideas, no accionar,  Dejarse llevar por la opinion de otros, artistas o no. Ser demasiado exigentes consigo mismo y con su trabajo. Pasar rapido por los procesos, sin documentarlos  Common mistakes of beginners in an art career Thinking that someone else’s work is simple, that the artist who made it did not take time. Copying. Following trends. Getting frustrated when not being selected for an open call in which many applied. Doing little research. Not reading art texts. Believing they will produce a masterpiece. Saving on research by using few material...

Ingmar Bergman

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  Bergman maintained very specific rituals to sustain his work: “Today I write with a pen, but not just any pen… it must be a very special one with a very thick tip… which gives me pleasure…” In addition, he imposed a limit: to write no more than three hours a day, even if he was in the middle of a scene, because the work started to become boring. He had a precise morning ritual: getting up early, having breakfast, walking, not reading the newspaper or talking on the phone, working at a spotless desk. After about 45 minutes, or when his back warned him, he would take a break to walk or look at the sea. For him, “writing scripts is a compulsory exercise” and “in the profession one cannot be undisciplined… I constantly struggle against my own lack of discipline.” Summarized in external words: “Writing the script is just the arranging process. The working book is fun.” Work with Actors: Intuition and Emotional Contact Bergman fully trusted intuition and human connection: “I only use m...

Arte con Maria Santacecilia Willkommen 환영합니다 Japonés: ようこそ Velkommen Bienvenue Welcome

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Arte charlas, conferencias, mento rias, curadurìa de obra, jura premios    www.arteconmariasantacecilia.com  https://arteconmariasantacecilia.com/producto/mentoria-statement-curatorial/ Statement y mentoria youtube  Arte charlas, conferencias, mentorias, curadurìa de obra, jura premios   instagram

Una gran ayuda la IA - Eine große Hilfe ist die Künstliche Intelligenz. Artificial Intelligence is a great help. 인공지능은 큰 도움이 됩니다.

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  La Inteligencia Artificial, ya hay artistas visuales pidiendole ideas, como hacerlas, listas de materiales..Siempre me produce alegria y me genera estimulos hacer las cosas por mi misma en lo que respecta encontrar ideas, desarrollarlas, investigar, buscar materiales, ver tonos ,es decir indagar en mi para provocar algo nuevo en mis piezas de arte. Es vàlido para mis lectores darle todas estas tareas a la Inteligencia Artificial? Los leo. Künstliche Intelligenz – es gibt bereits bildende Künstler, die sie um Ideen, Anleitungen und Materiallisten bitten. Mir selbst bereitet es immer Freude und Motivation, Dinge eigenständig zu tun: Ideen zu finden, sie zu entwickeln, zu recherchieren, Materialien zu suchen, Farbtöne zu betrachten – kurz gesagt, in mich hineinzugehen, um etwas Neues in meinen Kunstwerken zu erzeugen. Ist es für meine Leserinnen und Leser gültig, all diese Aufgaben der Künstlichen Intelligenz zu überlassen? Ich bin gespannt auf eure Meinungen. Artificial Intelligenc...

Porque viven de los artistas? Why do they live off artist? Warum lebe sie von den Kunstlern? なぜ彼らはアーティストで生計を立てているのか? --- 왜 그들은 예술가들로 먹고 사는가?

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  More and more, I confirm that associations, foundations or pseudo-foundations, and societies live off artists. They charge monthly “membership” fees to send information while promising something that will never be a real opportunity. They organize calls for entries that are empty of content, creativity, or any real sense of what contemporary art is, hanging anything that is politically correct or trendy. And it all goes through the funnel that ends in appropriating other people's money. It’s yet another job for visual artists: to discern between truth and lies in order not to lose hope, money, or time. Do not pay for false promises. Do not pay liars with prestigious names. Read, research, and make cold decisions about where to exhibit your work and where to share your name. Knowing where we are stepping is essential for developing a fruitful and healthy career.   Immer öfter stelle ich fest, dass Vereinigungen, Stiftungen oder Pseudostiftungen und Gesellschaften von Künstler...